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“People of the Pit features a pair of prospectors, Starr Anderson and the narrator, Frank, who are exploring the North, looking for gold. There are hints of a backstory between the two men, painting them as more than mere prospectors and it creates an anticipation for oddness to come. We are then introduced to a secondary narrator. A man who, in classic fashion, crawls (near-dead) into the men’s camp. And the manner of his crawling is horrific in itself. This is no collapsing half-stagger, no dragging himself along the floor, but as the narrator says, ‘it was like a baby crawling upstairs. The forepaws lifted themselves in grotesquely infantile fashion’ . On top of this, he wears a band of gold round his waist, and a chain. Gold, of course, is what has brought the explorers to this place, but when they remove it, ‘it was like no gold I had ever handled. […] it had an unclean, viscid life of its own. It clung to the file. […] It was – loathsome’ . Something is clearly not right when a man in search of gold actively throws it away.
The story then turns to the tale of the narrator, telling a story of a lost civilisation in the bottom of a ravine. Not any old ravine, however, but ‘Imagine the Grand Canyon five times as wide and with the bottom dropped out’. As one can expect, it gets a lot weirder from there…”
Welcome to the Sanctum Secorum podcast where even attending a convention cannot disrupt things. While the Keepers of Mysteries attend Gamehole Con I, the Gatekeeper of the Sanctum, bring you the latest episode. Tonight the Keepers discuss a story by Abraham Merritt and bring it to your DCC table!






There’s a traveling man the Carolina mountain folk call Silver John for the silver strings strung on his guitar. In his wanderings John encounters a parade of benighted forest creatures, mountain spirits, and shapeless horrors from the void of history with only his enduring spirit, playful wit, and the magic of his guitar to preserve him. Manly Wade Wellman’s Silver John is one of the most beloved figures in fantasy, a true American folk hero of the literary age.
William Blackhorse Singer is the Star Tracker — an expert in the pursuit and capture of exotic life forms. The last warrior of the Navajo people, he is a man out of time and place, adrift in an uncertain future. And now he must join forces with an enemy shapeshifter called Cat — the lone surviving member of an extinct alien race — to track down and eliminate a dangerous extraterrestrial assassin. For Singer, it is a costly collaboration. For once the killer is disposed of, the true hunt is to begin: a relentless and deadly chase across worlds and into the heart of ancient mysteries…with the hunter as prey.
Colin Songsmith sings a song to an old witch who takes an unlikely revenge. The witch’s granddaughter rescues him from the dire threat of being eaten alive by the cat. She hears the song, which happens to concern her recently married sister and a gypsy. Convinced that she has to save her sister, she takes the minstrel, the cat, and her magical resources to Rowan Castle. The story is rich with descriptive details of setting and encounters with magical and fantastic creatures such as a talking cat, a lovesick dragon, and a bear prince.